Georg Solti - Wagner & Cooke: Introduction To Der Ring

1.1. Siegfrid Idyll

1.2. Kinderkatechismus

An Introduction To Der Ring Des Nibelungen

1.3. Of All Great Musical Compositions ... [Examples 1-4] 3:34

1.4. The Fundamental Symbol ... [Examples 5-11] 4:46

1.5. Returning Now To The Nature Motive ... [Examples 6, 12-16] 3:22

1.6. A Number Of Further Motives ... [Examples 5, 17-21] 3:17

1.7. A Second, Much Smaller Family ... [Examples 22-25] 2:35

1.8. So Much For Nature ... [Examples 26-38] 7:56

1.9. The Cause Of The Deterioration ... [Examples 39-44] 3:30

1.10. The Other Transformation ... [Examples 45-48] 3:44

1.11. Several Other Motives ...[Examples 49-52] 2:47

1.12. Two Further Motives ... [Examples 41, 53-61] 7:12

1.13. The Basic Motive Associated With The Spear ... [Examples 62-68] 5:17

1.14. Along Another, More Complex Line ... [Examples 69-72] 2:12

1.15. In Act Two Of Walküre ... [Examples 69, 73-75] 2:21

1.16. Returning Now To Act Two Of Walküre ... [Examples 76-79] 3:54

1.17. Love Is Another Of The Central Symbols ... [Examples 80-83] 3:10

2.1. Later In The Same Scene ... [Examples 84-87] 2:23

2.2. Freia's Motive Has Two Independent Segments ... [Examples 88-91] 2:01

2.3. The Label 'Flight' ... [Example 92] 0:56

2.4. When Fasolt, In Scene Two Of Rhinegold ... [Examples 93-98] 5:23

2.5. A Little Later In This Interlude ... [Examples 99-103] 3:01

2.6. The Other New Motive ... [Examples 104-109] 3:33

2.7. There Are Several Independent Love-Motives ... [Examples 110-114] 2:55

2.8. The Characters In Whose Lives ... [Examples 115-120] 5:27

2.9. One Further Motive Belongs ... [Example 121] 1:25

2.10. The Sword Motive Recurs ... [Examples 122-130] 4:28

2.11. Ironically, This Phrase ... [Examples 131-135] 2:58

2.12. Closely Associated With Gutrune's Motive ... [Examples 136-140] 2:26

2.13. Here We Come To The End ... [Examples 141-146] 3:43

2.14. Complementary To This Symbol ... [Examples 147-149] 2:14

2.15. One Last Central Symbol ... [Examples 150-157] 4:54

2.16. One Further Motive Connected ... [Examples 158-161] 2:52

2.17. There Are One Or Two Motives ... [Examples 162-168] 3:48

2.18. These Motives Of Alberich And Mime ... [Examples 169-171] 2:07

2.19. Quite A Number Of The Subsidiary Motives ... [Examples 172-176] 2:50

2.20. Besides This Family Of Motives ... [Examples 177-180] 2:31

2.21. Our Final Example ... [Examples 10, 181, 182] 3:57

2.22. In The Final Scene Of Götterdämmerung ... [Examples 181-183] 2:45

2.23. Even More Masterly ... [Examples 184-188] 4:31

2.24. Now If We Return ... [Examples 189-191] 2:47

2.25. This Masterly Way ... [Examples 192, 193] 4:47